1. Whispers, screams and steps in a library, disables playing with bagatelle
2. Steps on leaves, kids on skateboard, steps in the mud
3. Creek of a church door, wedding celebration 4. Windscreen-wiper, a walk through the snow
5. Friend sleeping, people swimming in the pool, doors, workout and water bottles
6. Bicycles, football, volley and other sports in a public park,
with birds all around
7. Wetting the garden and hitting metal sculptures, dog snarl,
grammophone crackling and playing
8. Zapping TV at home,
old clock charging and then walking
on the wooden floor in a castle
Recorded and arranged by A. Ferraris & M. Uggeri.
Mixed by M. Uggeri. Mastered by Andrea Serrapiglio
"We're All In Slow Motion arguably manages to succeed in the the artists desire to create 'the perfect blend of experimental music and melody'." FUTURE SEQUENCE (Adam Williams)
"I think I can honestly say that I believe this album to have set a new ‘gold standard’." FLUID RADIO (John McCaffery)
"This album is as beautiful as the hot beams of sunlight strikining rusting piles of golden leaves on the last nice day of the year."WASISDAS (Ned Netherwood)
"A wonderfully crafted experimental collection of field recordings mixed with minimal melodies and feature among one of the best ambient releases of the year." COLLECTABLE (Adriano E.)
"Our time on Earth is an unnoticed symphony of sounds and visuals that go largely unnoticed, save by the subconscious, and by Andrea Ferraris & Matteo Uggeri." THE SILENT BALLET (Brendan Kraft)
Matteo Uggeri and Andrea Ferraris met after having shared a series of collaborations with noise-ambient icons like Maurizio Bianchi/MB and Andrea Marutti/Amon.
"Autumn is Coming, We´re all in Slowmotion", is the result of their mutual interest in searching for the most balanced blend of experimental music and melody.
The work has been recorded and assembled trying to recreate a sort of "ordinary-life" environment and to give this aural-diary the shape of a soundtrack. During this process, an incredible array of field-recordings and instruments were used with the main premise of creating an experimental yet melancholic record.
This collaborative effort brought together the magic touch of Japanese musician Mujika Easel (Eisi, Mono, Taylor Deupree), that here is featured on piano and vocals, with Andrea Serrapiglio (Carla Bozulich´s Evangelista, Barbara De Dominicis...) who, beside playing cello, took care of the mastering.
The field-recordings were taken from all around Italy and central Europe, while the rest of the music was recorded in Milan, Alessandria and Tokyo.